Dance training in the classic era of Bollywood and the rigorous reality of actor-choreographer dynamics Hindi film News

Bollywood Dance has always been the ultimate vibe, luxurious outfits, killer beats and iconic tricks which are free in our heads. Whether it is the humid of Helen in ‘Piya Tu Ab to Aaja’, Sridevi has ruled the screen in ‘Hawa Hawaii’, or Madhuri Dixit’s innocent ‘EK Do Teen’ expression, these moments did not just make history, she broke the internet before the Internet.
But behind the brilliant smile, glow, and cousin pure sweating, stress, and sometimes… on full strength. The Golden Age of Bollywood gave us some of the most prestigious dance numbers, but the reality for many actors was away from glamorous. From severe rehearsals to strict choreographers, the path of picture-perfect performance was paved with sweat, conflict and legs around the throat.
Let’s take a step back on time and find out what happened behind the curtain through the words of some of the most famous actors of Bollywood.
Helen’s fierce rehearsal
If there is a synonym of cabaret in Hindi cinema, then it is Helen. His beautiful tricks burnt the screen in songs like ‘Piya Tu Ab to Aaja’ and ‘Yeh Mera Dil’. But what went to meet those steps?
In a chat with Arbaaz Khan on the Bollywood bubble, the prestigious dancer revealed a sheer attempt behind his performance. “Then the choreographer, we had PL Raj, we had Robert Master, we had all the good masters, we used to call him Masterji. Now he is known as choreographers. We have rehearsals, appropriate, 8 days sometimes, 10 days, 10 days, sometimes 10 days. 4-5 times.
His dedication was unwavering, even when it was going on. He said, “PL Raj. Even if I think the shot was good, he would say one more time. And I used to be so bad with him. But I have cured it.” Look, I’m doing it ‘. Once again, he said. Sometimes I didn’t find it right, but I had to do it because you have to honor your guru. “
Just think, those fluids did not take place overnight in ‘Aa Jane Jaan’. They were the result of exhaustion, late night and rehearsal through non-stop.
When even big stars could not keep: Aruna Irani and Amitabh Bachchan
It is difficult to imagine a person like Amitabh Bachchan on the dance floor. But back in the day, even they needed some serious coaching. Veteran actress Aruna Irani recalled to work on a romantic doubles with Big B and none of the two was a convincing dancer.
Talking to Etimes, he said, “Then, neither I nor my hero Amit ji was a good dancer. But our choreographer PL Raj was a difficult task-master and he diligently gave us a slogan and rehearsed. All this attempt was in the end result, which was so impressive.”
Films like ‘Bombay to Goa’ and ‘Love Story’ appeared attractive songs with a lot of steps, but it was about-screen sweating and grinding that made the on-screen sparkle possible.

Insult on set: Shabana Azmi’s emotional breakdown
Known for her powerhouse, who acting in films like ‘Arth’ and ‘Mandi’, Shabana Azmi is not a person you will imagine to break on the film set. But even he did not spare the harsh realities of Bollywood choreography.
In a throbac interview with Adi Pocha [via Bollywood Shaadis]Shabana opened her painful experience while shooting ‘Parvarish’ with choreographer Kamal. “I can’t dance to save my life. I have two left legs. I asked the lotus master, he was a choreographer. I said,” Please rehearsal me. ” He said that rehearsal is not needed.
She left, “Before I knew that I have to lay my right leg and left leg, Neetu must have rehearsed two and sat there.”
The last straw came when Kamal insulted him in front of junior artists. “I told Kamal ji that it was very complicated and can we change it a little. He said,” Okay, the lights stopped. Now Shabana ji is now going to teach the lotus dance master what to do “. It was so insulting and bad that I just ran away from the set.”
Sonali Bendre, Saroj Khan Was ready to kill me.
When Sonali Bendre acted in ‘English Babu Desi Mem’, she once played a dancer, but in fact, she did not receive any formal dance training. This led to some fierce moments with someone other than Saroj Khan.
“I did ‘English Babu Desi Mem’, where Saroj Khan was ready to kill me because I could not dance, and I was once playing a dancer. Can you imagine what she was doing? I was struggling. I was struggling. Every hour I was not working, I was dancing at that time … She clearly remembered stress:” This is ironic. I am not a trained dancer. I am not a trained actor. I have never done theater. So shooting for songs, a song was a bad dream for me. I was sleeping at night. I will achieve acidity due to that stress.
Despite his fear, his dance numbers in films like ‘Duplicate’ and ‘Sarfarosh’ are memorable – proving how much effort was made to make his look comfortable.
Mandira Bedi’s DDLJ Dance Horror
Mandira Bedi did not make her big Bollywood debut, with no one other than the Panth classic ‘Dilwale Dulhania Le Jayenge’. But the shooting of the song ‘Mehndi Laga Ke Rakhna’ with Shah Rukh Khan and Kajol turned into a nightmare for him.
On Kareena Kapoor’s show ‘What Women Want’, she shared, “Because of you, how beautiful and beautiful you are when it comes to the song … I started with a song ‘Mehndi Laga Ke Rakhna’ and I will tell you that if I have a big woman, it is about two things – it is about two things – choreographers dance and mathematics exams, both of them are both
The veteran Saroj Khan was again on the hull. “He told me,” You are like Sunny Deol. He shakes his shoulders. You really shake your shoulders, but as a woman and as a female actress you need to learn how to shake your hips, ‘What I could not do, “Mandira recalled.
Even though he was part of one of the most liked songs in Bollywood history, his experience behind the screen was full of fear and anxiety.

Saroj Khan’s hard love and existence in a male world
The name behind mythological songs such as choreographer Saroj Khan, ‘Ek Do Teen’, ‘Choli Ke Pache’, and ‘Dola Re Dola’ was not known not only for his creativity but also for his strict style. But why was she so strict?
Terence Lewis once offered insight. Talking with Bharti Singh and Harsh Limbachia on their podcast, he said, “Those who questioned,” Why do they misbehave or behave so rudely or behave, need to know that it is extremely difficult for women to work in this industry, where it dominates with men. They kill women to survive. “
He said, “I don’t know that if you have seen, male choreographers are comparatively calm than female choreographers. They are more derogatory than men … and I will tell you that, this is because they have to prove it and again that ‘Hey, don’t take me lightly, I will shock you otherwise.” This is the patience that helped him to escape and flourish, Hitting choreography with actresses such as Madhuri Dixit and Sridevi.
Artistic treaty of Madhuri Dixit and Saroj Khan
Unlike many people afraid of Saroj Khan, Madhuri Dixit received a deep creative partnership with her. Together he prepared unforgettable numbers like ‘Dhaka Dhak Karne Lhe’, ‘Chen Ke Kate Meen’, and ‘Mara Dala’.
In a chat with Etimes, Madhuri said, “Every song I did with Saroj ji, we used to sit together and talk. I used to say, ‘You know, Saroj ji … because I loved her deeply, and I knew that I was working with her. So one day, we sat down and I said,’ Every song should be unique.”
“We made an agreement that we will never repeat the steps from one song to another. Yes, and each hook will be different.”
She combined with a laugh, “Then one day, she got fed up with me because I kept pointing, ‘We have used this movement before.” He asked, ‘Why do you have an elephant memory?’ And I said, ‘Okay, this is our treaty – now you have got to stick to it.’ Thanks to that agreement, every Madhuri-Saroj cooperation stood out-from ‘Ik do tin’ to powerful ‘Kahe Ched Mohe’.