‘Jat’ star Sunny Deol rejected the importance of law acting; Father Dharmendra shoots three films in a day

Sunny Deol is currently promoting her upcoming film, ‘Jat‘With his co-star Randeep Hooda. In a preacher interview, the actor recently gave importance method acting,
DharmendraVersatile roles and easy approach
Asked how the actors get in the character, Sunny explained to the Bollywood bubbles that if you watch films of the 60s and 70s, including his father, Dharmendra, you will see many types of roles that he played. Despite making several films in a year, Dharmendra never left the process of coming into a character. Sunny insisted that acting is a congenital skill that some people have, and while equipment and technology help, true acting ability that you have either or not.Real Focus: Understanding Character
The actor continued explaining that in the beginning, the actor may think that he needs to follow a strict process or approach, but eventually, it is about understanding the character. He emphasized that the emotional aspects of a character are all around us, and we try to bring them to life on screen. He mentioned examples like Randeep Hooda, who had to lose weight for a role, but insisted that looking like a character is not the main focus. The real challenge is to understand and feel what was done through that person and the way he acted.
Sunny Deol ‘reflects on her’Limit‘ Role
Recalling the limits of filming his experience, Sunny Deol reflected the challenge of delaying the depth of his character. He explained that it was important to understand the character’s actions and inspirations, especially playing the role of a Chandpurji. He did not focus on the technical aspects of character’s works, but drowned himself in the role. For him, the acting was about joining with the essence of the character, rather than how others have portrayed it.

Finally, Sunny Deol shared that once an actor completely immerses himself in a role, he often loses the track of his identity and may be surprised how he joined so deeply. He emphasized that when external adjustments are made for the audience, the correct effect of acting comes from within, which makes the actor feel tired but is fulfilled by the experience.