Karan Johar recalled his first meeting in Shah Rukh Khan’s Berlin Hotel Suit with Martin Scorses and Leonardo Dickaprio. Hindi film news

Karan Johar never thought that his name would appear with the famous filmmaker Martin Scoresce, especially on a film poster from his company Dharma Productions. Scorscays became an executive producer for the Dharma film ‘Homebound’ directed by Nerj Gwayan. The film received a nine -minute standing ovation at the 78th Cannes Film Festival during its screening in the United Nations’ fixed relationship section.Considering their career and scholars cooperationDuring a conversation with Hollywood Reporter India, Johar revealed that he was considering his next steps. He emphasized the importance of a feature film directed by Neeraj Ghaywan. At the same time, he expressed astonishing that a religion-made film also takes the name of Martin Scorscs. He admitted that even in his wild dreams, he never thought that it would happen and jokingly said that if someone had told him, he would have thought that they were joking.Now that it is done, he feels complete, saying that he can “die and go to heaven or hell, or whoever is accepting me,” knowing that he has a film with the name of Martin Scorses.Memorable meeting in BerlinJohar recalled his first and only meeting with Scorsce, given that his close friend, Shah Rukh Khan played an important role in making it. Johar mentioned that Schoers often credits Khan as a source of good luck. The meeting took place in Khan’s suite in Berlin when Scorsce and Leonardo went to Dicaprio, causing Johar to panic. He was promoting ‘Shutter Island’ (2010), and was discussing the storing Indian cinema with Schoers Shah Rukh. Johar remembered to feel like a fan and wondering if he would ever talk to Cinema with Scorsce. At that time, Johar’s film, ‘My Name Is Khan’, was an opening night film at the festival, and he invited the Scorscay to screen, who said he would try to participate.Khushi to work with a famous filmmakerThe Bollywood filmmaker admitted that while he has not yet got an opportunity to discuss cinema with Scorsce as he dreams, working on a film with the distinguished director is another more achievement. He shared, “I am very different. I don’t know how to do a good job about it; forgive me. I am just, like, really excited.”Neeraj Gaywan on the guidance of ScholarsNeeraj Gaywan mentioned that Scorscs provided all the necessary response to editing through homebound screenplay and email. Gaywan said that once the scores started reviewing the script, he advised them to cut the unnecessary exhibition. As it was writing a script for Gaywan’s first time a feature film, it was a bit difficult, as filmmakers often want to include many elements in a film, and also insecurity to think whether viewers understand the message.Scorsce suggested limiting some story arcs that could obstruct the main story. Ghaywan found these points accurate and helpful in shaping the screenplay. During the editing process, Scorsce also shared valuable insights on making the film shorter and more brief. Ghaywan expressed his mistrust that Scholars was also discussing his film.